Monday, 7 December 2015


So what's this all about?  Last year I published a post about Save the Children's Read On Get On campaign, which focussed on how important it is for parents to ensure their children are getting at least the minimal amount of reading time every day.  The event was a huge success I'm very glad to say and when speaking with my parents about it they confirmed how much comics had helped me develop my own reading skills further as a young boy alongside my books.  In addition comics inspired me creatively throughout school and beyond, even if it did then take until I was in my mid-30s to take it seriously!

A quick look through any supermarket or the one sole newsagent we have here in Belfast and I see a treasure trove of titles for today's kids to pick up in the same way as I did, definitely an improvement over just a few years ago.  Add in the vibrant and exciting small press scene we have these days, as well as digital comics, and the potential is there for children to be enjoying comics as I did many, many years ago and to benefit from them in the same way.  And all that is without even mentioning the dedicated comics shops and all the imported titles!

Yes we're focussing on UK ones here.

Save the Children know the importance of good
reading skills (flyer from 2014)

The thing is, the British comics industry has come under attack in recent years from people whose main goal is to bring it crashing to its knees and put everyone in it out of work for their own selfish reasons.  They'll never achieve their ludicrous goal obviously, but they're the ones who shout the loudest, as trolls usually do.  You may have come across websites, forum posters or blog writers who proclaim the UK comics industry is dead, that it simply doesn't exist and believe-it-or-not they're able to word these things in such a way that some readers who think these people are some authority on the subject believe them.  And woe betide anyone who disagrees!  At the end of the day not only are they trying to put adults off buying UK comics but they're happy to try to take this brilliant way of developing reading skills away from the children.

When they do decide to "review" the latest comics they don't buy them, they steal them by using illegal scans (god forbid they'd spend any money of them) and completely miss the point, complaining about how they don't appeal to them in the same way as the comics of their childhood did.  They kind of answer their own complaint there, don't they?  These people are in their 50s and 60s and these comics are aimed at today's children.  Not that they recognise this, of course, that'd stop them from complaining.

They'll also try to discredit anyone who points out their falsehoods by claiming the only people who say the UK comics industry even exists are only doing so because they've a vested interest.  They'll say it doesn't exist and its supporters are only saying these positive things because they're getting paid by that industry for work.  Do you see the gaping hole in their theory there too?  Because it seems lost on them.

Nevertheless, I've no vested interest and here I am writing this post.  I'm not getting paid by anyone to write this blog and I can't even place adverts up (Oink! doesn't belong to me after all and so rightfully I can't make money off someone else's product).  It's the trolls who have the vested interests.

Why are they doing this then?  Surely there's a reason?  Well yes.  I'm not saying this is the case with them all but there's certainly some, the ones who seem to complain the most, who were either never able to crack their way into the comics industry for themselves or who did have a career but through their own mistakes, or unwillingness to adapt to the modern ways of working in the field, no longer do. They blame the industry for what did or didn't happen, even attacking anyone successful in it nowadays too, and claim the only reason they can't get work is because there is none as the industry here in the UK is "dead".

I think even Mary Lighthouse would struggle with their reasoning and their tactics above when the shops look like this:

Apparently none of these comics and comic-magazines
in Belfast's sole newsagent (Eason) exist.
Must be a mirage that my iPhone also picked up.

This is my local Asda, which is small compared to most.
Not only are there kids' comics in the big display but those
bottom shelves run way, way past that trolley.

These are also British comics, but they're in a shop in Malta!
If there's no UK industry how can we be exporting them?
Thanks to John Freeman from Down the Tubes for these shots.

But scenes like these don't stop them, so instead they attempt to argue their point when presented with pictures like these by stating a 'comic' must fit a very particular, very narrow pre-set format.  Taking their arguments together a comic must be a weekly humour title aimed at kids, with cover-to-cover comic strips and must be purchased from a newsagent.  To you and me that's just one type of many various types of comic and while it was once the main format it no longer is.  But wait, they go further.  On top of that they say digital comics don't count because they're not in print, neither do small press comics as they've got too small a print run and aren't available in a newsagent.  They've also said books don't count either, nor do graphic novels, comics featuring imported strips and all the comic strips in magazines such as Doctor Who MagazinePrivate Eye or in newspapers apparently don't count as working in the UK comics industry either.

See what I mean about trying to pigeon-hole what a 'comic' is meant to be or indeed what counts as working in the industry?  Ridiculous, isn't it?  If we took their arguments as gospel then my own childhood was all a lie!

Now this blog was created as a dedicated Oink! one, a humour comic packed from cover-to-cover with strips and I don't think even it being a fortnightly would makes it fall foul of their rules.  But I've also covered some other titles here both in my Beyond Oink! series of posts about the other comics I collected at the time and in the posts about new content from Oink!'s creative team.  Taking a look back at just the titles covered in this blog and taking into account these apparent rules it's clear I've been wrong and I'll need to go back and edit them all!

Who knew innocent Thomas the Tank Engine could be such a bare-faced liar!  Calling his publication, which continues to this day, a comic when it didn't include any strips?  These picture-panel stories may have been eagerly anticipated every fortnight but what a scamp he was to proclaim that on the cover of the premiere issue and suckering us all into believing it was a comic.

The Real Ghostbusters may have been here to save the world but can we really trust them when Marvel UK marketed this as a comic when only roughly 50% of it was strip?  Never mind about the hugely enjoyable text stories, the hilarious Spengler's Spirit Guides and the fascinating looks at real-world urban myths (among other features), they conned us into buying it!

Well now don't we all feel a little bit silly when we proclaim we collected the Marvel UK version of The Transformers?  With about half of all the stories being imported from the US those editorial teams must've had an easy time of it, only working on half those 332 issues, after all any issues that only contained American strips apparently weren't put together by anyone in the UK industry.  Who knew?  I feel cheated, I don't know about you.

Thunderbirds The Comic?  'The Comic'?  Tut tut Tracy family, you're meant to have been role models for not just us kids in the 90s but for a whole generation before then too!  Yet about a quarter of your high-quality fortnightly was made up of intricate cutaways like above, or fact-files, text features and Thomas-like picture-panel stories telling the future history of your family.  I don't care how enjoyable it all was, I now know it wasn't a comic.

In addition to all that, what about the likes of Havoc and Jurassic Park, both of which solely printed American strips.  The former imported ones we'd simply not had the chance to read on this side of the pond, repackaging them into bite-sized chunks and creating a fun weekly anthology.  The latter remained monthly like its American counterpart but cut the main strip into chunks and backed it up with other dino-themed stories such as the stunning Age of Reptiles strip as well as text features on the novel and movie in those early issues.  Both referred to themselves as British comics, UK versions of the originals, which required British editors and designers amongst others to bring them to the shelves.  Or maybe these roles also don't exist and the only people who work in the comics industry are writers and artists etc.


(Oh and as an aside, The BeanoThe Dandy and Buster are usually held aloft as the finest examples of top-quality British comics, and so they should be, often used to back up the silly rules.  But in their early days they featured text stories, and adventure ones at that too!  So obviously these leaders in the British industry only became comics later on then?)

Comics in the 80s always had a mix of features, strips and otherwise, it's what made our titles different here in the UK and in fact when I tried some American titles as a child I found them lacking because they had just the one strip and nothing else.  Such was the way I was brought up on UK comics.  We loved them and, yes, I'm taking the mickey above with those pictures obviously, but I'm making the point about not only how ridiculous these rules are but also how hypocritical they are, coming as they do from people who collected these comics themselves or even worked on them!

But what about these rules of theirs that apply to the new way of producing comics these days?  How about those brilliant new comics the Oink! creatives have brought us over the past couple of years?

I'll have to rethink how I've written about this on the blog (for example here).  It's what's called a "digital comic" and I've placed that in quote marks because it's what I was told at the time, but now I know better.  It's not printed on paper so it's not a comic.  It may be cover-to-cover humour strips, it may have taken David Leach a year to write, draw and colour it all and be available on an app and website called Comixology but don't be fooled; it's all a conspiracy to get your hard-earned £1.49.

Now I enjoyed this immensely when it arrived in the post but I'll have to have a quiet word with creator Lew Stringer about how he's advertising it on his blogs.  After all, it arrived in the post!  It's not available in newsagents and even though it certainly looks like a comic in every respect, and a very high-quality one at that I might add, it was all for naught because the way I purchased it forbids it from being a comic.  Such a shame, but there you go.

It's weekly.  Check.
It's cover-to-cover strips.  Check.
It's suitable for all.  Check.
It's digital.  {Insert Family Fortunes' 'X' noise here}
Oh well.  So close!

I'm having a laugh with this but that's the only way you can view these rules and these people who wish to attack and tear down the UK industry.

Books don't count?  So all those graphic novels that win awards and get turned into hugely successful movies aren't comics?  Did our annuals as kids not count?

Comics aimed solely at kids are the only ones that count?  Then why are they even reading comics at all?  Also this means 2000AD and Judge Dredd Megazine also don't count?

I could go on and on but these are just the examples of things I've collected myself.


I haven't even mentioned the convention scene!  It used to be we'd be lucky if there were a couple of comics conventions a year in the UK but now we've got them nearly every single week!  Below are pictures from the London Film and Comic Con and the Lakes Comic Art Festival (2014) showing two very different events, of which there are so many and of many different sizes, taking place everywhere from large cities to small towns, the likes of which are now a regular occurrence across the country:

Thanks to Lew Stringer for these photographs.

Yes, the one on the top-left is a film and comic convention but it doesn't matter, despite the desperate claims to the contrary in some dark corners of the internet, who I'm assuming would even dismiss the San Diego Comic Con because the movie and TV industries now attend too?  Or they say things like it's only those fans of retro comics who attend because there's nothing for UK fans to see otherwise. Are you getting tired of these terrible excuses to get out of admitting they're wrong?  So am I, so that's it.

When you hear someone say "support the UK comics industry" don't be thinking they're saying it because it's on its knees or anything!  Go back five years and the shelves were adorned with plastic toys with a slim, badly-produced magazine attached but that's no longer the case.  These still exist but they're in the minority.  Many may be bagged and have gifts but what's inside is great content for your kids; comics strips, text stories, picture-panel tales, activities... basically, fun while reading!  Isn't that the most important thing?  There's loads out there for adult collectors like always (did we disregard Watchmen back in the 80s by the way?) but for your young 'uns there's a wealth of great stuff out there.

The music industry evolved and changed beyond all previous recognition with the advent of Steve Jobs' iTunes but maybe all those music sales don't count either because they're digital?  No, of course that's not the case, but it's the equivalent of saying that when these people state digital comics don't count.  Digital comics have allowed us to enjoy a huge array of completely original titles which publishers simply wouldn't have taken a chance on and have allowed small independent creators to release their titles globally!  Similarly the small-press comics industry, which has always existed and been celebrated, has expanded massively thanks to modern technology and it's easier than ever to get a comic title published this way.  Don't get me wrong it's still a lot of hard work, we want quality after all, but while the print runs are smaller (hence "small press") the large variety of original titles out there should be celebrated instead of being brushed aside!

There are loads of sites to read up on, my personal favourites being John Freeman's Down the Tubes and Lew's Blimey! blog.  They've written multiple times about the true state of affairs in the UK comics industry and the vast array of goodies on offer, so save them and keep yourselves up-to-date, pig pals.

I believe the UK comics industry is in the middle of a renaissance in the same way as the music industry was when it embraced digital and in much the same way as the TV industry is at the moment thanks to services such as Netflix etc.  The magazine industry will get there eventually but the comics industry is evolving and changing, as any industry needs to do, it's finally starting to follow the music industry's lead and the British creators are leading the way.  It's a very exciting time.


So this Christmas why not buy a few annuals or Christmas specials for your children's stockings and support the UK comics industry.  Support it and then the people who work in it will be able to create more of what you and your children love!  The small people in your life may even wish to take up comics reading regularly as a result and, believe me, they'll thank you for it forever!


Ramon Schenk said...

Go, Phil, go! I am amazed by the variety of books every time I visit Britain and I too was baffled by these doomsayers.

PhilEdBoyce said...

Thanks very much Ramon! Yes it baffles me too. They've had years of trying to tear the industry down so I thought we'd have a little fun on the blog to show just how baffling their rules are. Glad you liked it!

Michael said...

Brilliant post!! I've only discovered this blog thanks to seeing someone criticize this post, but well done you. I see your being personally attacked elsewhere now by people who most likely have never met you, saying your lying and distorting what they say. Typical. But we know that is what they do and they'll be tryng their best now to rescue their outdated opinions by smearing you. Don't bite!

Again, brilliant stuff and I'm reading through the rest of your blog now. I missed out on Oink first time round, looks like a great read!!

PhilEdBoyce said...

So I see Michael, but don't worry, all I care about are the comics and getting people to read them, especially if I can get some readers to buy some for their kids.

Oh you'll love Oink! I'm actually a bit jealous you'll now get to experience it all as a new reader. Have fun and feel free to leave comments on any of the posts, no matter how old they are.

Jess (Belfast) said...

That reads so well and is so true. Don't get involved in the arguments and the lies and manipulations of trolls but I'm very happy to see this post. You don't need to argue back, this sums it all up perfectly and proves once and for all the detractors are wrong. They'll moan and groan, pick apart your post and try to lie their way out of it with their usual long ramblings. If nothing else they're convincing if you don't know about the actual industry, but thankfully they're the minority as you say. Superb post and glad to see it being shared around in a positive light on social media. Looking forward to your coverage of the second annual too. Merry Christmas!

PhilEdBoyce said...

Hi Jess, thanks for commenting. No I won't get involved in any responses, that's not what this post was about. I'm very clear in it what the intention was and why I wrote it. Glad you got it and liked it. And a Merry Christmas to you too, thanks!

Lew Stringer said...

I've said it before but there are so many UK comics around now that it's hard, if not impossible, to keep up with them. I discover new ones every time I visit a convention. And new stuff coming along all the time!

Thanks for the plug again, Phil!

PhilEdBoyce said...

Precisely Lew. The likes of you and John Freeman have really opened my eyes to the UK scene. Just like music and TV it's evolving and there's so many ways to purchase great new material across many formats and genres. A lovely, vibrant scene.

Michael, unfortunately I can't publish your comment due to that last paragraph, this isn't really that kind of blog. I would never edit someone else's comments though, so instead I'm just letting you know and if you want to send the rest through again by all means please do.

Michael said...

Sorry Phil I didn't mean any disrespect, just wanted to defend you against that. But I see what mean. Here the rest of my post

I'm really enjoying reading through Oink for my first time, shame it didn't last longer. Have you covered why?

Very nostalgic posts about the comics of your youth, I've enjoyed them too even if I haven't heard of most of them, your articles have me wanting to read more of them.

PhilEdBoyce said...

That's okay Michael. Thanks very much for the kind words and I'm glad you're enjoying Oink! so much, it certainly deserves to be remembered and to have a place dedicated to it on the Internet. If you go back to August 2014 and start at #35's post you'll see a lot of info on a change which happened behind the scenes which would seal the comic's fate. I then covered it over a few other issues throughout what I personally called The Golden Age of Oink! around that time. I wont spoil it for you here... plus it's a long story!